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Schiller (mp3) (2007)
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Tina karol

Dima Bilan: Mechtatel (cd+dvd)

Vintazh (Vintag) CD Anechka

Collection "Jazz-Kolo. Guitar-vision"

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Format: CD+DVD

Style: Jazz

Year: 2009



$32.95

Guitar kolo live. (DVD).

Video version of the concert project "Guitar kolo" (this recording contains more compositions than its audio variant).

It happened so that I did not attend this concert – and the very first two plays from the disc made me feel sorry about that. It looks probable that nobody except Serhiy Ovsianikov is engaged in jazz manouche in Ukraine – and Serhiy, to add to that, does that deliciously indeed. I would also like to mention separately the composition performed by Vitaly Makukin, due to whom tapping could be heard at that mini-festival – and it sounded bright. And at the same time – Olexander Pavlov, who contributed into the general drive – transparent, soft lyricism with elements, so to say, of ecm-like aesthetics. The rest of the concert was made up by jazz-fusion – in various displays, for every participant has his own vision of this style. Honestly speaking, I personally feel a bit sorry that our guitarists concentrated their searches exclusively round it – for one would wish, sure, to see as extensive palette as possible. However, first, one cannot possibly reproach for that, because each of us just chooses what appeals more to his / her heart. Well, and secondly, whatever we might say, jazz-fusion is really an interesting thing, especially when played well. And with that everybody coped, you would not even dare to say who on that evening sounded more poignantly – the young Tomasyan, or the experienced Likhohva and Shabaltas. Everyone had his own moments. To say nothing about those musicians who "framed" the guitarists – in a few episodes they sound so cool and juicy that you even forget to which instrument this concert was devoted)

Guitar Kolo. /digi-pack/.

It seems that the guitar still remains one of the most popular instruments in the eyes of young people. Although you can, probably, hardly say that about Ukrainian jazz – here, guitarists far not that often undertake the role of protagonists. At that, we do have enough good masters – the other thing is that it is not that easy to hear them. At all events, the "reference book" represented does not really pretend to be all embracing – it is clear that not all those who could have appeared here. And you will see that the thing here is not only technical mastery – a good musician must also interest with stylistics, the composition, right? And, in the end, it is considerably more interesting to observe not that much masterly passages but styles, which our guitarists prefer. During the Guitar Kolo concert, the main tone was set by fusion – but on the studio collection it does not really strike the eye. And that is for good – because every retreat from a general direction looks even brighter then. And here you, in fact, have enough of such retreats. For this reason, this is far not a dry "reference book" – this is a collection that it is really interestingly to listen to. And useful.
 
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