For some, there is no difference between Buddha, Krishna, Shivoy, Bram ... but in vain. Even in such an obviously immense, but the infinitely small in relation to their universal greatness, the field of music, even the modern, the difference is.
With light hands Claude Shalla (as we used to call it in Russian), filling all the Buddha bar was completely eclectic, ie c-world-on-string - the poor Frenchman hit collection. And no spirit of Buddha, as a concept album and помине ...
And about the same restaurants as the initial customers, both about them and, in general, almost immediately forgotten, especially here, where they simply do not have kitchens.
To the credit of producing the compilation under the patronage of Indian gods, they are stricter and more thorough approach to the selection of material, and the Indian musical tradition is richer and more saturated in the sounds of ascetic Buddhism. That is:
Pro-Indian lonzhevo-chilautnye kit really rely on the processing of classical musical forms and trends of India, not just east of the god news of the region. And, of course, sounding mantras sung in Sanskrit. Sitar, mainstreaming in the electronic palette - there is a real sitar, a table ... there is a table and even in Brazil. By the way, is not nothing about Brazil - wonderful ezoterichecky ethno-label AZULmusic from there. And even if you are not confused - in the Age of Aquarius merging and fusion of cultures, it is important to who and how to intertwine the whole process, not where it happens - this ROLLING STONES, all in the Bahamas, in Nassau, written, and how they were Rolling, and remain, keep their About God ... India. Ratnabali itself, but none more beautiful than it currently does not handle Indian mantras and does not do them - it is written and published in AZUL. Whew.

01. Govinda Dance
02. Gopala Jaya
03. Arjuna Eyes
04. Samadhi
05. Rhada Krishna (maha mantra)
06. Sansara
07. Vrndvana
08. Kundaline Line
09. Rasa Lila
10. Maya’s Dream